Visualization of Abstract Data in Fluid Form in New Media Art
Abstract views: 65 / PDF downloads: 40
Keywords:Abstract art, digital art, media visualization
With the data obtained through the tools used in today's technology, art has gained a new dimension with new expression and expression forms and the artist has gone to create new images that will meet the needs of the audience. Technological tools and equipment such as cameras, news services, music and video recording real-time information in our environment create databases that contain intense information. With computer technology, the abstract data of the information, which is in a constantly fluid state, is visualized by the artist by going through some processes. In 1995, with Natalie Jeremijenko's project named “Live Wire”, the database was visualized for the first time with the vibrations in the wire by computer mapping method. Virtual spaces and fluid architectures are featured in the Los Inmateriales exhibition curated by Jean-François Lyotard. A few years after the Los Inmateriales exhibition, Marcos Novak conceptualized fluid architecture as a generative model of cyberspace and a perfect material entity. In 2021, Refik Anadol fluidly visualized the abstract data he obtained from telescopes and satellites in his “Memories of Machinery: Space” series.
Anadol, R. 2020 “Art in the age of machine intelligence”, https://www.youtube.com/watch?v=UxQDG6WQT5s
Cengiz, M.S., Mamis, M.S., Akdag, M., Cengiz, C., 2015. A review of prices for photovoltaic systems, International Journal of Technolgy Physical Problems of Engineering, 27(3): 8–13.
Cengiz M.S., Cengiz, C. 2018., Numerical analysis of tunnel lighting maintenance factor, IIUM Engineering Journal, 19(2): 154–163.
Cengiz, Ç., Cengiz, M.S., Yurci, Y., Kaynaklı, M., Parlakyıldız, Ş., İlcihan, Z., 2017. Realization of warming in lighting, Journal of Electrical and Electronics Engineering, 12(6): 83–85.
Déotte, J.L. 1985, Les Immatériaux de Lyotard: un programme figural.
Eren, M., Yapıcı, İ., Yıldırım, S., Cengiz, Ç., Gencer, G., Palta, O., Aybay, E., Yurci, Y., 2017. Driver circuit effects in Led Lighting Systems, Journal of Electrical and Electronics Engineering, 12(6): 1-4.
Finn, E. 2020, Algoritmalar Ne İster? Hesaplama Çağında Hayal Gücü, çev. Songül Köse (İstanbul: Tellekt) s. 31.
Lyotard, J, F.1984, Le Différend. Paris: Les Editions de Minuit. p – 48. Traducción propia.
Lyotard, J.F., Thackara .J1988, Design after Modernism. New York : Tames and Hudson.
M.S., Cengiz, 2022. Lighting master plan application in living areas, Light & Engineering, 30(6): 124–132.
Manovich, L.2001, The language of new media. Boston (EEUU): The MIT Press. p. 59.
Miller, A.I. 2019, The Artist In the Machine, MIT, s. 44
Özkanlı, Ü., Cengiz. M.S., 2022. The evaluation of the relationship of color and light in the context of architecture, Latin America 3rd International Conference on Scientific Researches, August 6 - 7, 2022 - New York, USA
Özkanlı, Ü., Cengiz. M.S., 2022. Color Approach and Perception of Vision, Latin America 3rd International Conference on Scientific Researches, August 6 - 7, 2022 - New York, USA
URL-1: https://wannart.com/icerik/24125-magara-resimleri-buyulu-eller (Erişim Tarihi:09.11.2022)
URL-2, https://www.researchgate.net/fig ure/The-Dangling-String-by-Natalie-Jeremijenko-The-two-pictures-show-a-quiet-and-a-busy-red_fig4_268509885 (Erişim Tarihi:09.11.2022)
URL-3: https://journals.openedition.org/hybrid/523 (Erişim Tarihi:09.11.2022)
URL-4: https://journals.openedition.org/ appareil/797(Erişim Tarihi:09.11.2022)
URL-5: https://highlike.org/marcos-novak / (Erişim Tarihi:10.11.2022)
URL-6: https://kultur.istanbul/refik-anad ol-sergi/ (Erişim Tarihi:10.11.2022)
URL-7: https://refikanadol.com/ (Erişim Tarihi: 10.11.2021)
How to Cite
Copyright (c) 2023 MAS Journal of Applied Sciences
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.